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REVIEW — BACKHOUSE’s debut album ‘Songs in the Key of Orange’

A debut album has one job: convince listeners that a band is worth paying attention to. Great ones become more than just introductions, instead establishing themselves as almost mythological benchmarks that every future release is measured against (such as Arctic Monkeys’ Whatever People Say I Am, That’s What I’m Not or even The Killers’ Hot…
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REVIEW — Margot Miller’s EP ‘Downy Hair (Turns Into Stubble)’

I’m a firm believer that seasons shouldn’t be rushed. The hype for Halloween in July and the Christmas rush in November make me physically ill in a way that should be studied by the pumpkin spice latte enthusiasts. As much as I am stubborn in this and in more ways than one, I am open-minded.…
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REVIEW — e.lissa faden’s “Just Might” is a grungy hello to Pride Month

In recent years, Pride Month has become more than just a half-assed and disregarded moniker for June, as queer individuals use the month to celebrate, honor, and revel in the beauty that is queer joy. Ignoring the disastrous attempts at corporate allyship (i.e., Target’s visually offensive Pride collection), art flourishes during June as artists align…
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In conversation with Chiara Maria: finding her way back to music

“Since I was a little girl, I have always loved singing. I started songwriting at the age of seven. The first song was ‘The Hamster Song,’” Chiara Maria confessed, laughing. “After that, it was just like a way for me to process my emotions, but I never told anyone about it. I didn’t want anyone…
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RiverJAM Music’s Songs & Stories showcases three generations of guitar virtuosity

Red Bank, NJ, saw three generations of guitar talent perform at RiverJAM Music’s Listening Room: Songs & Stories concert on March 25. With Pat Guadagno, Johnny Kasun, and Luke Brindley showing off their fingerpicking skills, the venue was filled with the type of infectious melodies only a guitar can produce. The night began with Reagan…

