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In conversation with Ruby Alexander: keeping music playful

To Ruby Alexander, nothing is sacred. But don’t take this the wrong way; the mantra serves as her reminder that everything is just a moment in time, that music is meant to be playful. “As I was recording this whole project,” she said, speaking of her upcoming EP, “my message to myself that I had…
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REVIEW — BACKHOUSE’s debut album ‘Songs in the Key of Orange’

A debut album has one job: convince listeners that a band is worth paying attention to. Great ones become more than just introductions, instead establishing themselves as almost mythological benchmarks that every future release is measured against (such as Arctic Monkeys’ Whatever People Say I Am, That’s What I’m Not or even The Killers’ Hot…
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REVIEW — Margot Miller’s EP ‘Downy Hair (Turns Into Stubble)’

I’m a firm believer that seasons shouldn’t be rushed. The hype for Halloween in July and the Christmas rush in November make me physically ill in a way that should be studied by the pumpkin spice latte enthusiasts. As much as I am stubborn in this and in more ways than one, I am open-minded.…
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REVIEW — e.lissa faden’s “Just Might” is a grungy hello to Pride Month

In recent years, Pride Month has become more than just a half-assed and disregarded moniker for June, as queer individuals use the month to celebrate, honor, and revel in the beauty that is queer joy. Ignoring the disastrous attempts at corporate allyship (i.e., Target’s visually offensive Pride collection), art flourishes during June as artists align…
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In conversation with Chiara Maria: finding her way back to music

“Since I was a little girl, I have always loved singing. I started songwriting at the age of seven. The first song was ‘The Hamster Song,’” Chiara Maria confessed, laughing. “After that, it was just like a way for me to process my emotions, but I never told anyone about it. I didn’t want anyone…

