reviews
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In conversation with Sasha Perskie: exploring contemporary indie & working with RiverJAM

“I don’t just record them [songs] myself, but I write them too,” explains indie pop artist Sasha Perskie. “And that’s been a huge part of my life: writing music, performing, playing gigs, playing open mics.” Last year, Perskie released Day Night, a four-song EP self-described from the influences of Fiona Apple and Lizzy McAlpine. The project…
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REVIEW — Margot Miller’s EP ‘Downy Hair (Turns Into Stubble)’

I’m a firm believer that seasons shouldn’t be rushed. The hype for Halloween in July and the Christmas rush in November make me physically ill in a way that should be studied by the pumpkin spice latte enthusiasts. As much as I am stubborn in this and in more ways than one, I am open-minded.…
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In conversation with Paul Luke Bonenfant of Blush Boy: building a band, part 4

Paul Luke Bonenfant took a semester off for a reason. Who knew it would lead to late-night sessions and New York City bookings? At the ages of 12 and 13, Paul Luke Bonenfant and Gavin Kim performed alongside each other in Broadway’s School of Rock; nearly ten years later, they now do so in Blush…
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REVIEW — ‘Verity Guild’ by Mai Corland

What do you think of when someone says the word “romantasy”? Medieval worlds full of castles? Dragons and magical creatures? Warriors and queens? The popular subgenre that combines fantasy and romance has slowly become a monolith that promotes a singular aesthetic vision; yet, Verity Guild veers away and paves its own path. Written by Mai…
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In conversation with SYLVR: leaning into “nightmare pop” and embracing the strange

There’s something instantly intriguing about SYLVR (pronounced “silver”). This UK-Peruvian duo seems to have arrived fully formed, with a sound that feels less like a debut and more like recollecting your dream from a few nights ago. Made up of Jamie Thomas and Raquel Bartra, SYLVR’s sound lives somewhere between goth-pop and electronic haze. It’s…

