new-music
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REVIEW — BACKHOUSE’s debut album ‘Songs in the Key of Orange’

A debut album has one job: convince listeners that a band is worth paying attention to. Great ones become more than just introductions, instead establishing themselves as almost mythological benchmarks that every future release is measured against (such as Arctic Monkeys’ Whatever People Say I Am, That’s What I’m Not or even The Killers’ Hot…
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In conversation with Jake Radano of Blush Boy: building a band, part 3

Jake Radano knew exactly what he wanted from a young age: to be in a band, to be a musician, and that’s exactly what he’s made of himself. As a music industry and business major at Rowan University, Radano now stands as the drummer of Blush Boy. But his journey with the band dates back…
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In conversation with SYLVR: leaning into “nightmare pop” and embracing the strange

There’s something instantly intriguing about SYLVR (pronounced “silver”). This UK-Peruvian duo seems to have arrived fully formed, with a sound that feels less like a debut and more like recollecting your dream from a few nights ago. Made up of Jamie Thomas and Raquel Bartra, SYLVR’s sound lives somewhere between goth-pop and electronic haze. It’s…
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REVIEW — e.lissa faden’s “Just Might” is a grungy hello to Pride Month

In recent years, Pride Month has become more than just a half-assed and disregarded moniker for June, as queer individuals use the month to celebrate, honor, and revel in the beauty that is queer joy. Ignoring the disastrous attempts at corporate allyship (i.e., Target’s visually offensive Pride collection), art flourishes during June as artists align…


