album-review
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REVIEW — Enjambre’s ‘Daños Luz’ blends their vintage-rock roots to make atmospheric melodies
Known for their poetic, though-provoking, and introspective lyrics, Mexican alternative rock band Enjambre released their ninth album, Daños Luz, on March 12. The album is structured to guide listeners on a journey through Enjambre’s past, present, and future. The album opens with the ticking keys of the piano and the distorted voice of Luis Humberto…
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REVIEW – Geese might be ‘Getting Killed’ by the modern era, but they’re thriving in chaos
Geese is comfortable with chaos, but on Getting Killed, they learn to embrace it to the max. The Brooklyn band’s fourth studio album stands out among their previous releases, catapulting the group into mainstream spotlight. Geese may be rising to fame, but their lyrics and musical instincts remain rooted in that same gritty unpredictability that…
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REVIEW – Peter McPoland’s ‘Big Lucky’ lands as a big letdown
Peter McPoland’s sophomore album, Big Lucky, returns to his roots of independently produced tracks, a breath of fresh air after his dance-inducing, synth-loaded debut, Piggy. Big Lucky, however, is less a nostalgic throwback than it is a step in the wrong direction. Released on Sept. 26, Big Lucky starts off strong with a guitar-led, 30-second…
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REVIEW – Neggy Gemmy doesn’t “come from nowhere” with new album
Boasting 11 songs and a 34-minute run-time, Neggy Gemmy packs a quick and concise punch with her latest release She Comes from Nowhere. Released on June 20, singer, songwriter and producer Lindsey French, also known as Neggy Gemmy, takes fans on a mysterious journey using a variety of instrumentals that manage to evoke a different,…
