rock
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REVIEW – Geese might be ‘Getting Killed’ by the modern era, but they’re thriving in chaos

Geese is comfortable with chaos, but on Getting Killed, they learn to embrace it to the max. The Brooklyn band’s fourth studio album stands out among their previous releases, catapulting the group into mainstream spotlight. Geese may be rising to fame, but their lyrics and musical instincts remain rooted in that same gritty unpredictability that
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REVIEW – Peter McPoland’s ‘Big Lucky’ lands as a big letdown

Peter McPoland’s sophomore album, Big Lucky, returns to his roots of independently produced tracks, a breath of fresh air after his dance-inducing, synth-loaded debut, Piggy. Big Lucky, however, is less a nostalgic throwback than it is a step in the wrong direction. Released on Sept. 26, Big Lucky starts off strong with a guitar-led, 30-second
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In conversation with Adam Czeisler of Sweet Water: latest album sheds light on the wondrous and beautiful

In the early ‘90s, Seattle-based rock band, Sweet Water, began their musical journey together and have since continued to create a lasting legacy founded in music, friendship, and creative exploration. Bandmates Adam Czeisler (frontman), Rich Credo (guitarist), Cole Peterson (bassist), and Chris Friel (drummer) spent their early years growing up together and attending the same
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REVIEW – Electronic super-producer EDEN continues to experiment on late-career album ‘Dark’

I’ve been following Eden for almost a decade now—discovering him in 2016 with the release of his first two full length projects, End Credits and i think you think too much of me. Before this, I remember him also making waves with his marginally smaller EDM solo work under the alias, The Eden Project. That


