review
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In conversation with Eerie Please: the soundtrack of your memories
At six years old, Eerie Please took the first steps in her music career when she first head Blink-182, whose instrumentals inspired her to play guitar. Subsequently, she was given an acoustic by her grandfather and started taking courses. Eerie’s music style has evolved throughout the years, spanning different genres like American pop punk and emo. Eventually, she began listening to more classical songs,
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REVIEW – Electronic super-producer EDEN continues to experiment on late-career album ‘Dark’
I’ve been following Eden for almost a decade now—discovering him in 2016 with the release of his first two full length projects, End Credits and i think you think too much of me. Before this, I remember him also making waves with his marginally smaller EDM solo work under the alias, The Eden Project. That
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In conversation with Kally Hall: music and storytelling blended together
During the course of the her college career, Kally Hall dove deep into music and video. Hall grew up in West Virginia, diving in to visual art in high school. Music videos helped her shape a passion for both video and music. When Hall went to New York University, she started taking film classes. “Suddenly,
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In conversation with Azure Kai: too much is never enough
“Now, how much is too much?” That’s the questions Azure Kai—real name Ashley Zingillioglu—asks herself when writing and producing songs. She treats each track like an experimental recipe, mixing instruments and sound effects so each musical build is purposeful and every inch of silence is filled. Boasting whistles, crowd cheers, and the rhythmic thumps of
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REVIEW – Neggy Gemmy doesn’t “come from nowhere” with new album
Boasting 11 songs and a 34-minute run-time, Neggy Gemmy packs a quick and concise punch with her latest release She Comes from Nowhere. Released on June 20, singer, songwriter and producer Lindsey French, also known as Neggy Gemmy, takes fans on a mysterious journey using a variety of instrumentals that manage to evoke a different,
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In conversation with Annelise Gonzalez: no longer the opening act
On June 22, around 100 people packed into The Basement in Nashville, Tennessee, to celebrate the release of Annelise Gonzalez’s debut EP, Enough for Me, Anyway. It was a full-circle moment for Gonzalez, who was no longer the opener but the headlining act. “It was insane to pack a room. It’s been so beautiful and
