review
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In conversation with Jess Chase: the confessions of ‘Carnage’

Upon first meeting Jess Chase, it is immediately apparent that she’s undeniably confident, earnest, and passionate. A self-made artist, Chase has dedicated her life thus far to something that’s always been consistent: music. “I’ve been doing music my whole life,” she began. A transplant to New York City from Washington state, Chase attended high school
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In conversation with Kevin Blackwell of Sassparilla: ‘Honey, I’m Using Again’ is a confession and a prayer

Americana/punk band, Sassparilla, returns with their eighth record, Honey, I’m Using Again, on February 20, 2026. The Portland, Oregon, and Golden, Colorado, based bandmates Kevin Blackwell, Doug Ebert, and Dan Power worked together on the project, recording the entire album from Blackwell’s basement. Sassparilla quickly made their mark on the Portland music scene, bound by
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REVIEW – Yubiori returns angrier than ever on sophomore album

Yubiori2 is an extension of everything Japanese rock band Yubiori delivered on their debut album yubiori, only bigger. The music is louder, the horns are in your face, and lead singer Yoshiaki Tamura has made it a point to make sure his voice is front and center within the mix. As strange as it may
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In conversation with Peter Sun: finding inspiration in life and the land around us

There’s something unmistakably John Denver about Peter Sun. Between his sound, look, and even his natural facial features, Sun’s artistry is deeply inspired by Denver’s music and his love for the countryside. “I always appreciated how he had a unique sound to his voice,” Sun said. “Growing up, I had, and still do, a kind
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REVIEW – Geese might be ‘Getting Killed’ by the modern era, but they’re thriving in chaos

Geese is comfortable with chaos, but on Getting Killed, they learn to embrace it to the max. The Brooklyn band’s fourth studio album stands out among their previous releases, catapulting the group into mainstream spotlight. Geese may be rising to fame, but their lyrics and musical instincts remain rooted in that same gritty unpredictability that
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REVIEW – Peter McPoland’s ‘Big Lucky’ lands as a big letdown

Peter McPoland’s sophomore album, Big Lucky, returns to his roots of independently produced tracks, a breath of fresh air after his dance-inducing, synth-loaded debut, Piggy. Big Lucky, however, is less a nostalgic throwback than it is a step in the wrong direction. Released on Sept. 26, Big Lucky starts off strong with a guitar-led, 30-second
