Music
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In conversation with Azure Kai: too much is never enough
“Now, how much is too much?” That’s the questions Azure Kai—real name Ashley Zingillioglu—asks herself when writing and producing songs. She treats each track like an experimental recipe, mixing instruments and sound effects so each musical build is purposeful and every inch of silence is filled. Boasting whistles, crowd cheers, and the rhythmic thumps of…
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In conversation with Stolen Gin: BA‑DUM. BA‑DUM. BA‑DUM‑CRASH.
The first time you see Stolen Gin live — not just hear them, but feel them — it’s like being hit by a brass section in a back alley at midnight. There’s a drumbeat crawling up your ribcage, a bassline growling low and hungry, and then five NYU friends fling themselves into the room like someone…
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In conversation with Jake Thistle: college student, singer-songwriter, and rising star
The typical routine of a college student consists of many late-night study sessions, part-time jobs, and the occasional existential crisis. Jake Thistle’s life consists of all of that, plus a successful music career on the side. A journalism and communication double major at Rutgers University, Thistle grew up in Bergen County, New Jersey, but his…
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REVIEW – Neggy Gemmy doesn’t “come from nowhere” with new album
Boasting 11 songs and a 34-minute run-time, Neggy Gemmy packs a quick and concise punch with her latest release She Comes from Nowhere. Released on June 20, singer, songwriter and producer Lindsey French, also known as Neggy Gemmy, takes fans on a mysterious journey using a variety of instrumentals that manage to evoke a different,…
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REVIEW – Melina KB’s ‘Gotcha!’ short film is more millennial than musical theater
Musical theater is good. Pop music trying to be musical theater… not so much. Melina KB’s “Gotcha!” song and accompanying short film tell the story of an anxiously attached girlfriend who becomes suspicious of her boyfriend after she sees an incriminating text on his phone. While the TikTok promos posted by Melina (@melina.kb) gained over…
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In conversation with Annelise Gonzalez: no longer the opening act
On June 22, around 100 people packed into The Basement in Nashville, Tennessee, to celebrate the release of Annelise Gonzalez’s debut EP, Enough for Me, Anyway. It was a full-circle moment for Gonzalez, who was no longer the opener but the headlining act. “It was insane to pack a room. It’s been so beautiful and…
